A black-and-white series: snow, structure, and raking winter light reduced to line and tone. From an elevated vantage in Ontario, everyday scenes are distilled until familiar forms begin to suggest other landscapes.
ConvergenceFrom above, snow-laden rooflines fold inward, their accumulated mass drawn toward a single dark seam. Gravity and geometry negotiate in quiet tension.MareCrusted snow fractures into zones of light and void. Observed from an elevated vantage, the surface resolves into a topography that feels lunar — familiar terrain made strange through winter light and distance.CorniceA sharp ridge of snow reads as an aerial view of bare mountain country. Wind and deposition have compressed the scene into a miniature range of form and tone.NexusBranching snow and meltwater gather around two dark eyes set into the surface. Light and dark interlace where winter's residue and the slow work of thaw meet.ArchipelagoScattered remnants of snow form irregular islands across a dark field. Their softened edges trace the slow retreat of winter, turning the surface into a miniature archipelago shaped by thaw and the pull of hidden currents.DriftWind has sculpted the snow into long, soft contours of grey. Its invisible movement reveals the fluid dynamics of air working across a surface otherwise held in stillness.EscarpmentA drift sheers away in raked light, its edge held by a dark outcrop. The scene suggests a miniature escarpment — a moment of resistance and release held in equilibrium.EclipseSnow clings to one edge while the rest falls away into shadow. Light and dark meet at a fragile boundary, where form is partially claimed by its own absence.
